Singles of the Year '10!

It took a year off last year, but here returneth our Very Fave Singles of the Past 12 Months. This was also a zine-only exclusive, but seeing as we don't anticipate printing any more off any time soon, you zine-slackers can get it right here!
"Better Than Love" - Hurts
The first song we heard in 2010 to a) give us full-on shivers and b) reassure our worries and tell us this year was going to be a good one for pop. Hurts are the injection of Pet Shop Boys-at-a-funeral that we all need, and this song more than anything else on the album gives the listener that rush of excitement and sheer joy that we so crave. The middle eight towards the end should be the standard to write all future middle eights by.

"Momma's Place" - Róisín Murphy
A strong contender for the funniest and fiercest songwriting of 2010, “Momma's Place” was Róisín's only foray into music this year but is a fine example of quality over quantity. A powerful bass-heavy opening leads into a “Mark my words, you'll see”-style ode to her child, providing an interesting alternative to the unconditional love of Kelis‟ “Acapella”.

"XXXO" - M.I.A.
Not the follow-up hit to “Paper Planes” that might have pleased her record label, but never mind. “XXXO” is a dark disco-ish R&B number, that, well… sort of defies description. Hooky, fun, and quotable as hell it'll go down in history as an underrated gem. Try not to fall for the lines “you're tweeting me like tweety bird on your iPhone” or “I can be the actress, you be Tarantino”.

"Your Love" - Nicki Minaj
We're ginormous fans of Annie Lennox, which is a factor we can only presume helped considerably when we first heard this track. We love “Your Love”, and if you've been with us for the entirety of the zine, you'll know we love the Minaj too. With lyrical themes revolving around samurai and geisha, we were more than happy to keep this beautiful mid-tempo ditty on loop for the majority of the past twelve months. If you don‟t like Minaj after hearing this song, you probably never will.

"Happiness" - Alexis Jordan
What happens when you put a quasi-Whitney-Leona-style ballad on top of a Deadmau5 sample? A fabulous wave-your-hands-in-the-air-and-feel-the-love anthem quite simply. We haven't even discussed this summer soundtrack on the blog, which is rather baffling, but if record labels continue to insist on using pre-pubescent popstars, we'll put up with it if we keep getting productions like this.

"Shampain" - Marina and the Diamonds
Marina hasn't had quite the stellar year she, or her team, probably had hoped for. She still hasn't broken into foreign territories and none of her singles went top 10. Never matter, though. On “Shampain”, she used the topic of drunkedness to sing about celestial angels, over a beat that practically glitters. Scathing sarcasm has never sounded so joyous.

"Dancing On My Own" - Robyn
Best song of the year, no further discussion needed. Tear-inducing, stomach-punching, throat
-grabbing; a Robyn-flavoured brand of desperately sad euphoria. Has been known to actually make people burst out crying in nightclubs. Which we believe, was the original aim. That synthesised pounding heart-beat will stick with us for years to come.

"Teenage Dream" - Katy Perry
Either Katy Perry is a brilliant, brilliant songwriter capable of moments of pure pop genius, or the team behind her is. Either way, “Teenage Dream” took us all back to the most romantic moments of or adolescence, whether they happened or not. Giddy, wide-eyed, euphoric, almost flawless. If Ms. Russell Brand ever releases another song as good as this it’ll be a full-blown miracle.

"Tightrope" - Janelle Monáe (feat. Big Boi)
We defy you not to dance to this. If you can get from start to finish without even tapping or shuffling your foot about, then you’re clinically dead, or something. And that horn section! Exhilarating. Monáe released one of the most bemusing and epic albums of the year, but as this song proved, she could shine in short form too.

"Acapella" - Kelis
Never one to do what’s expected of her, Kelis worked with some of the world’s most ubiquitous dance producers (David Guetta etc.) and then came out with… this! No one else could or would release it: a pulse-quickening house anthem about the wonder of life as seen through new motherhood. At first we weren’t sure if the minimal production worked, but we soon realised it was perfect.