
Madonna – "4 Minutes"
Say what you will about the Queen of Pop, but when those barnstorming horns came clattering in you just HAD to dance.
Not actually necessarily the best Girls Aloud comeback song ever, but they did retro, and they actually did it differently and without sampling a Boots ad.
This was like Into The Groove for a new generation. Bringing together Indie kids and pop aficionados alike, undoubtedly the dance record of the year.
Unspeakably gorgeous and rather odd. Saved the whole Seventh Tree business from being completely forgettable.
Not anywhere near as artistically fulfilling as the rest of the album, but an undeniably brilliant slice of pop-punk goodness and awesome breakup song.
Those aching synths and Ms. Hawke’s own wistful vocals made this bittersweet little song one of the best underdog singles of the year.
Yet again… it was a good year for amazing intros. The swizzling synths punctuated by those snare tumbles made up for the disappointment of Circus.
Not just a single of the year but probably the remix of the year too. The Freemasons managed to masterfully turn Motown funk into a veritable pop stomper of a song.
An odd R&B ballad. Soaring, emotional and bizarrely structured. This wasn’t your conventional pop duet, but it was so good it was a hit anyway.
Awful yet ubiquitous. No “singles of the year” list would be complete without it. It was predictable, a cheap shot and yet oddly irresistible.
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