S&N

28.2.12

Woah.

In stark contrast to the post below, Regina Spektor has come out of the gates (and out of the blue) with a new track that sounds almost nothing like her previous stuff. It is all foreboding dark synth sounds and baroque counterpoint and features some loud gunshot noises at the end. It doesn't sound like a hit (she probably doesn't care and neither do we, really) and melodically its a little repetitive, but it's got us excited for her new album, when previously we had no expectations or excitement (we didn't even know there was a new album coming. Oops).

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